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Florence B. Price, Hold Fast to Dreams
Florence B. Price

Ted Black & Sascha El Mouissi

Florence B. Price, Hold Fast to Dreams

Format: CD
Label: CAvi
UPC: 0028948685615
Catnr: AVI 4868561
Release date: 08 May 2026
1 CD
 
Label
CAvi
UPC
0028948685615
Catalogue number
AVI 4868561
Release date
08 May 2026
Album
Artist(s)
Composer(s)
EN
DE

About the album

FLORENCE B. PRICE

A composer advocates for the exchange of different traditions and cultures.

Florence B. Price's works combine a fascinating spectrum of intense emotion, buoyant lightness, and playful charm, which captivated me from the very first moment. In particular, her songs, which bear witness to great sensitivity and melodic ingenuity, have made a lasting impression on me in terms of their expressiveness and complexity.

However, it is not only her music that touches me; I also feel profoundly moved by her life story. Florence B. Price was a single mother of two children after separating from her husband.

Tragically, she had to cope with the loss of one of her children at an early age – a fate that is sure to have shaped her life profoundly. As an African-American artist, she also had to assert herself in an era characterised by deep-seated racism, and in a world where women in classical music rarely found recognition.

Astonishingly, her works have not yet been fully published or featured in the standard repertoire. Her music, culturally rich, full of history, and brimming with emotion, deserves to be elevated to its rightful rank due to its artistic quality. The apparent lack of widespread recognition of Price’s oeuvre cannot be explained by a lack of compositional quality, but rather by socio-historical circumstances that marginalised artists like her.

It is very surprising that their works have not yet been published in their entirety.,...
.
(Excerpt from the line notes by Sascha EL Mouissi)

FLORENCE B. PRICE

eine Komponistin streitet für den Austausch unterschiedlicher Traditonen und Kulturen

Florence B. Price verbindet in ihren Werken ein faszinierendes Spektrum von intensiver Emotionalität, beschwingter Leichtigkeit und verspieltem Charme, das mich vom ersten Moment an in den Bann gezogen hat. Besonders ihre Lieder, die von großer Sensibilität und melodischem Einfallsreichtum zeugen, haben mich in ihrer Ausdruckskraft und Vielschichtigkeit nachhaltig beeindruckt.

Doch es ist nicht nur ihre Musik, die mich nicht gleichgültig lässt, sondern auch ihre Lebensgeschichte bewegt mich tief. Florence B. Price war alleinerziehende Mutter von zwei Kindern, nachdem sie sich von ihrem Mann getrennt hatte. Tragischerweise musste sie den Verlust eines ihrer Kinder im frühkindlichen Alter verkraften – ein Schicksal, das ihr Leben sicher auf tiefgreifende Weise geprägt hat. Als afroamerikanische Künstlerin musste sie sich zudem in einer Zeit behaupten, die von tiefgreifendem Rassismus geprägt war und in der Frauen in der Welt der klassischen Musik ohnehin selten Anerkennung fanden.

Es ist sehr verwunderlich, dass ihre Werke bis dato weder vollständig verlegt sind,...
.
(Auszüge aus dem Booklettext von Sascha EL Mouissi)

Artist(s)

Ted Black (tenor)

Hailed by the press for his “full bodied lyric tenor” as well as for his “valiant high notes and perfectly integrated lower register” British tenor Ted Black is rapidly emerging as one of the most distinctive artistic voices of his generation. His performances are characterised by a refined musicianship, poetic intelligence, and a luminous vocal presence that has attracted attention across both operatic and recital stages. A laureate of the Wiener Staatsoper’s Young Artist Programme, he appeared in over a hundred performances there, in roles such as Rodrigo (Otello), Tebaldo (I Vespri Siciliani), the Young Lover (Il Tabarro), and Ulrich Eißlinger (Die Meistersinger von Nürnberg). His recent operatic engagements have included Ferrando (Così fan tutte), Lysander (A Midsummer Night’s Dream), and Walther von der Vogelweide (Tannhäuser). Equally celebrated as a...
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Hailed by the press for his “full bodied lyric tenor” as well as for his “valiant high notes and perfectly integrated lower register” British tenor Ted Black is rapidly emerging as one of the most distinctive artistic voices of his generation. His performances are characterised by a refined musicianship, poetic intelligence, and a luminous vocal presence that has attracted attention across both operatic and recital stages.
A laureate of the Wiener Staatsoper’s Young Artist Programme, he appeared in over a hundred performances there, in roles such as Rodrigo (Otello), Tebaldo (I Vespri Siciliani), the Young Lover (Il Tabarro), and Ulrich Eißlinger (Die Meistersinger von Nürnberg). His recent operatic engagements have included Ferrando (Così fan tutte), Lysander (A Midsummer Night’s Dream), and Walther von der Vogelweide (Tannhäuser).
Equally celebrated as a recitalist, Black has appeared at venues including the Wigmore Hall, Musée d’Orsay, Opéra de Lille, and the Oxford International Song Festival, earning acclaim for performances distinguished by nuance, clarity, and emotional depth.

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Sascha El Mouissi (piano)

Sascha El Mouissi is widely regarded as one of the most distinguished and imaginative song pianists of his generation. His vibrant international concert career has taken him to prestigious festivals including the Lucerne Festival, Schubertiade, Schleswig-Holstein Music Festival, Schumannfest at the Tonhalle Düsseldorf, Dialoge Salzburg, Wiener Festwochen, Istanbul Music Festival, London Arts Festival, Collegium Vocale Crete Senesi, and Concerti al Quirinale of RAI in Rome. Next to his appearances on the concert platforms throughout Europe, El Mouissi collaborates with many internationally acclaimed singers and maintains a particularly close artistic partnership with baritone Rafael Fingerlos. He also performs regularly with Vera-Lotte Boecker, Wolfgang Holzmair, Ted Black, Katia Ledoux, Wolfgang Brendel, Angelika Kirchschlager, Edith Mathis, Thomas Quasthoff, and Ildikó Raimondi, among others. As a chamber musician, he is a sought-after collaborator, performing...
more
Sascha El Mouissi is widely regarded as one of the most distinguished and imaginative song pianists of his generation. His vibrant international concert career has taken him to prestigious festivals including the Lucerne Festival, Schubertiade, Schleswig-Holstein Music Festival, Schumannfest at the Tonhalle Düsseldorf, Dialoge Salzburg, Wiener Festwochen, Istanbul Music Festival, London Arts Festival, Collegium Vocale Crete Senesi, and Concerti al Quirinale of RAI in Rome.
Next to his appearances on the concert platforms throughout Europe, El Mouissi collaborates with many internationally acclaimed singers and maintains a particularly close artistic partnership with baritone Rafael Fingerlos. He also performs regularly with Vera-Lotte Boecker, Wolfgang Holzmair, Ted Black, Katia Ledoux, Wolfgang Brendel, Angelika Kirchschlager, Edith Mathis, Thomas Quasthoff, and Ildikó Raimondi, among others.
As a chamber musician, he is a sought-after collaborator, performing with cellists Julia Hagen and Harriet Krijgh, and violinist Benjamin Herzl.
His artistic work is documented in numerous CD and television recordings, some of which have received awards such as the Ö1 Pasticcio Prize. He has curated the multi-part recording project of songs by Florence B. Price, in collaboration with WDR and the CAvi-music label.
A dedicated pedagogue, Sascha El Mouissi regularly gives masterclasses and workshops in song interpretation, including at the Shanghai Conservatory of Music, AIMS (American Institute of Musical Studies), and the Vienna State Opera. He also serves as a juror at international competitions and is the artistic director of the LIED.Styria festival. Together with musicologist Christa Brüstle, he co-founded the event series Songs of Diversity – Lied im Dialog. He teaches at the University of Music and Performing Arts Graz.

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Composer(s)

Press

Play album Play album
01.
The Island of my dreams (1928)
02:21
(Florence B. Price) Ted Black, Sascha El Mouissi
02.
Hold fast to Dreams (1945)
01:52
(Florence B. Price) Ted Black, Sascha El Mouissi
03.
They lie, they lie ((1946)
01:55
(Florence B. Price) Ted Black, Sascha El Mouissi
04.
Song of the Dark Virgin (1941)
01:54
(Florence B. Price) Ted Black, Sascha El Mouissi
05.
Night (1946)
01:56
(Florence B. Price) Sascha El Mouissi, Ted Black
06.
Bright be the place (1942)
01:54
(Florence B. Price) Ted Black, Sascha El Mouissi
07.
Lethe (1941)
01:08
(Florence B. Price) Ted Black, Sascha El Mouissi
08.
There be None (1942)
01:59
(Florence B. Price) Ted Black, Sascha El Mouissi
09.
Love-in-a-mist (1930)
02:01
(Florence B. Price) Ted Black, Sascha El Mouissi
10.
The superstitious ghost (1946)
02:28
(Florence B. Price) Ted Black, Sascha El Mouissi
11.
Ham & Eggs (undated)
01:24
(Florence B. Price) Ted Black, Sascha El Mouissi
12.
The moon bridge (undated)
02:01
(Florence B. Price) Ted Black, Sascha El Mouissi
13.
Dawn's awakening (1936)
02:18
(Florence B. Price) Ted Black, Sascha El Mouissi
14.
Day dawns, from Three short songs (undated)
01:09
(Florence B. Price) Ted Black, Sascha El Mouissi
15.
The crescent moon, from: Three short songs (undated)
00:34
(Florence B. Price) Ted Black, Sascha El Mouissi
16.
The broken bowl, from: Three short songs (undated)
01:30
(Florence B. Price) Ted Black, Sascha El Mouissi
17.
Because (undated)
02:02
(Florence B. Price) Ted Black, Sascha El Mouissi
18.
Interim (undated)
02:21
(Florence B. Price) Ted Black, Sascha El Mouissi
19.
My little dreams (undated)
01:15
(Florence B. Price) Ted Black, Sascha El Mouissi
20.
We have tomorrow (undated)
00:56
(Florence B. Price) Ted Black, Sascha El Mouissi
21.
An April day (1949)
01:31
(Florence B. Price) Ted Black, Sascha El Mouissi
22.
Beside the sea (undated)
02:05
(Florence B. Price) Ted Black, Sascha El Mouissi
23.
God gives me you (1946)
02:03
(Florence B. Price) Ted Black, Sascha El Mouissi
24.
The glory of the day was in her face (1935)
02:03
(Florence B. Price) Ted Black, Sascha El Mouissi
25.
A white rose (1932)
01:54
(Florence B. Price) Ted Black, Sascha El Mouissi
26.
I grew a rose (????)
03:17
(Florence B. Price) Ted Black, Sascha El Mouissi
27.
Sunset (1938)
01:39
(Florence B. Price) Ted Black, Sascha El Mouissi
28.
Song is so old (undated)
01:48
(Florence B. Price) Ted Black, Sascha El Mouissi
29.
Travel's end (1933)
02:19
(Florence B. Price) Ted Black, Sascha El Mouissi
30.
Tobacco (T: Graham Lee Hemminger) , From: Four Encore Songs (1935)
00:32
(Florence B. Price) Ted Black, Sascha El Mouissi
31.
A flea and a fly (T: Ogden Nash), From: Four Encore Songs (1935)
00:20
(Florence B. Price) Ted Black, Sascha El Mouissi
32.
'Come, come', said Tom's father From: Four Encore Songs (1935)
00:30
(Florence B. Price) Ted Black, Sascha El Mouissi
33.
Song of the open road (T: Ogden Nash), From: Four Encore songs (1935)
00:39
(Florence B. Price) Ted Black, Sascha El Mouissi
34.
Little things (1946)
02:24
(Florence B. Price) Ted Black, Sascha El Mouissi
show all tracks

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